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kitchen, dining room, living room and a large display wall void of electrical
outlets, less they detract from the art.
“Chung’s idea,” says Cara. “All the electrical outlets are on the floor. It makes a difference, but most
people probably wouldn
’t think about that. Chung thinks of everything.”
A floor of granite sweeps through this space, cut in large squares in keeping
with the scale of the room.
Front-facing walls of glass offer unobstructed views of Memorial Park for a tree
house feel. The third floor with master bedroom and Jorge
’s study, located on an interior balcony open to the second floor below, also
takes advantage of this incredible vista.
“We wanted the living room to be open but still have privacy,” explains Nguyen. “It allowed us to bring the park into the living room without seeing the street.”
The ground floor of the main house contains a media room, exercise room and
another bedroom
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along a hallway that connects to Cara’s studio. But the clever positioning of her studio—in another building separated from the main house by a pool and hot tub—makes it possible to welcome clients without having them wind their way through
the house.
“Occasionally I have people who want to come see the work here, and I don’t need to invite them in through the front door. It just makes sense that they
have this separate entrance,
” says Cara, whose work is represented at several galleries across the U.S. This
day, she is busy preparing for a show that opens Nov. 7 at De Santos Gallery on
Richmond, her local gallery representation.
“I spend a lot of time in here, believe me,” she says of her studio. next page
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